"Ruiner is the second full-length full of
solid crust making you ready to start a riot in a street near you."
Sanctus Propaganda
"Ruiner is the second independent album of the Swedish crust/hardcore
band that follows in the footsteps of bands like Tragedy or Remains of the Day,
but with a good dose of classic Scandinavian crust. Dark and brutal." Raw
Zine
"After reissuing their first album, Swedish band d-beat/neo-crust/hardcore
Myteri is preparing to release their second album. It will be titled
Ruiner and will be released on LP format for followers of Fall Of Efrafa."
Scholomance Webzine
"Just over two months after the recent re-release
of their 2015 self-titled record, Gothenburg, Sweden’s high-flown crust / d-beat
hardcore band Myteri are back with a brand new, monumental record Ruiner,
a captivating effort compelling in both conception and sonic design. The
record creates a bleak, yet pleasantly listenable structure that provides the
appearance of unity despite the fragmentation of its nature and various
influences. Tugged by powerful currents and storms, it peaks in numerous
large climaxes and becomes memorable on its own." IDIOTEQ
"A storm is blowing. Thunder growls from far
away. A bleak and melancholic guitar opens for a lugubrious introduction.
But after just two minutes Myteri is fed up with being somber. That’s the
moment when Ruiner explodes into furiously fast d-beats. From this
point the rest of the record is angry and hopeless. Yet still with this
melancholic sadness and beautiful harmonies. If you liked Alpinist,
Mässmörd or Fall Of Efrafa, enjoy Tragedy and dig bands like Unkind or Livstid,
you will definitively love Myteri! This record is the best crust album of
the year." The Nocturnal Silence
"Meaningful violence, reasonable hate and an
attempt to wake up a slumbering humanity. Ruiner continues from the
point they left us with their debut. Their mentality remains the same,
that seems impossible, and so does their musical style, without becoming a
barren repetition. On the contrary, they are looking forward with this
album, stand on the firm base their first release created. The transition
between slow, kind of melancholic parts to angrier patterns, a characteristic
neo-crust element, is done in a great way, making it impossible for the listener
to get bored, no matter how many times it gets listened." Metal Invader
"Myteri is a five piece band from Gothenburg,
Sweden who formed in 2013. Myteri play a brutal, chaotic, and volatile mix
of hardcore, punk, and crust. Since forming in 2013, Myteri have released a four
song EP titled The Silent Death in May of 2014, a self-titled ten song LP in
July of 2015, a split with Born For Slaughter in January of 2016, and a
self-titled LP in July of 2017. Ruiner is the band's latest
full-length LP, which is slated for release via Replenish Records in late
September of 2017. On their latest full-length, Myteri offer up twelve
tracks of vicious and brutal sounding hardcore, punk, and crust. Overall,
this is an amazing LP and definitely should not be missed. Highly
recommended! Enjoy!" Dead Air At The Pulpit
"It’s the second full length from the bearded men
from Sweden. You already know what to expect, don’t you? Yeah, but
before we get to it, there is storm that opens the record. Great way to
start especially when melodic guitar follows and they gain speed gradually.
Then comes the Swedish crust assault. The title track ‘Ruiner’ is the
trademark of this record. Hardcore crust at full speed, screaming vocals
and melodic guitar in the background. Sure you can’t help but hear Fall Of
Efrafa echoes here and there. Or Tragedy for that matter. But there
is nothing wrong with it, this is played perfectly well, it is well balanced and
Myter have got their own ideas on how to build songs. The whole picture is
pretty gloomy, apocalyptic answer to how to survive in this fucked up world."
Sanctus Propaganda
"The intro starts like the calm before the storm,
quiet, delicate, undistorted guitars, which are then distorted quite quickly,
then increase the tempo, and break in with full breadth over one. This
apparent chaos is born by the great melodies, which remain with me in the
auditory canals. It seems to me as if the band shows an irrepressible
playfulness that takes you along. Most likely, if I were to ask for a
comparison, I would call the last album of Martyrdöd - List. The mostly
very fast songs alternate with slow parts and always remain so unpredictable
that no boredom comes up. The outro begins much like the intro, but
remains calm and the melody has definitely catchy, wow. For me, Myteri are
now in the D-Beat / Crust Olympics right next to greats such as Tragedy,
Skitsystem, Martyrdöd, Ictus, Wolfbrigade, Disfear and Fredag Den 13:e."
Crossed Letters Zine
"One of the best crust albums of this year, comes from the glorious city of
Gothenburg in Sweden. Rooted in Scandinavian crust and d-beat, Myteri grow
firm branches in this release, incorporating various elements of extreme music
in general. The band consolidates its musical watermark, creating songs
with intense melodic aggressiveness, staying heavy at the same time. They
easily navigate around the steppe of boring repetition, keeping the listener’s
interest and adrenaline high throughout the release. The album’s slower
parts give you the much needed time to catch your breath, while certain elements
like the addition of violin and piano parts, the posty build ups and the sound
samples widen Ruiner, making the band’s music cross the margins of crust.
Myteri also prove that they are talented musicians. The album is full of
inspiration and songs written with taste and method, while John’s vocals cut
through steel. Last but not least, the ode to toms in the drum pattern and
the catchy main riff we listen to in 'Dödens Hav' make this song one of the best
I’ve heard this year." Dark Pulse Webzine
"Hailing from Gothenburg in Sweden, Myteri‘s take
on crust punk on Ruiner offers up something slightly different from the
norm. Whilst the requisite heaviness and sense of political rage is all
present and correct, with plenty of dirt and aggression that brings Tragedy to
mind, there’s also an overt sense of melody and stirring octave chord led
melodies and riffs that have more in common with emo than they do crust.
It’s a brave combination of styles, and a very successful one, with Ruiner
being one of the most immediately powerful and gripping records I’ve heard this
year. Myteri’s sound is, on the whole, one of apocalypse and dystopia – as
should be the case for all good crust punk. The specter of war and
man-made misery hangs heavy over each of these twelve songs, conjuring up images
of half-lived lives experienced in a world of grey skies and cracked concrete.
Yet, Ruiner is also the sound of resistance against such a world, kicking
out against a life spent with knee bent to uncaring authority and oppression.
That’s always been the best element of crust in all its forms – the way it acts
as a light in the darkness, and here, the d-beat rhythms, war-torn yet
unrepentant vocals, and melodic, but still powerful, guitars do just that.
Despite the misery and pain, there is hope here for a better tomorrow.
Really, the importance of the emo-influenced guitars can’t be understated in
this. To be clear, I’m talking about emo in the manner that some people
will use the word skramz, rather than the indie-emo of later days.
Throughout Ruiner I am reminded of the underground emo coming out of
Europe in the years after the turn of the millennium – specifically, it reminds
me a lot of the optimism of Yage, and the melodic passion of La Quiete. It
does mean that Myteri’s sound isn’t quite as heavy as most of their
contemporaries, but instead the bright, strong melodies help give them a sense
of character and emotion that other bands will lack, and their sound is better
for it. Whilst some crust bands can end up sounding as if they are content
to dwell in darkness, so oppressive and lacking in contrast is their sound,
Myteri sound as if they are determined to do all they can for a better tomorrow,
never losing sight of the ultimate aims of their protests. As such, Ruiner is a
record that is perfectly suited for our times, filled as it is with both
righteous anger at the injustices of the world, and also an optimism that they
can be righted. Its 38 minute duration is energetic and invigorating, and
as it closes with the slower, dramatic instrumental ‘Urholkningsprocessen’, it
is difficult to deny the vitality and urgency of the album. It’s a delight
to hear something that does something slightly new with the core crust sound,
without losing its defiant, political spirit or musical core, it’s this which
makes Ruiner one of the musical highlights of the year." The Sound
Not The Word |